marnanel: (Default)
[personal profile] marnanel
Fun read, but I'd expected better: the book can't decide whether it's comedy science fiction or political thriller. The SF part is well-handled, but the political stuff confuses me; I briefly considered drawing a diagram while reading so that I could keep up with who was working for whom. One moment you're reading some lovely SF about sheep DNA and the brains of the dead being uploaded into intelligent agents. Then you're suddenly pitched into the middle of a fight scene which looks like it dropped out of a Wachowski film; it doesn't work half as well in print.

But the biggest problem with this book is the sexism. In almost all the story there is *one* major female character, Robin. She and all other women are referred to by their first names; all the men are referred to by their surnames. Robin is described well, as seen by the male viewpoint character, and there's a lot of action *involving* her. But she rarely does anything that affects the situation; for much of the story she's just a McGuffin.

To its credit, it has the best opening line I've seen in years: "Dirk Moeller didn't know if he could fart his way into a major diplomatic incident. But he was ready to find out."

Date: 2017-08-22 07:54 pm (UTC)
andrewducker: (Default)
From: [personal profile] andrewducker
I keep wanting to like Scalzi more than I do.

He does perfectly competent stuff, and I like his blog quite a lot, but the only work he's produced which really grabbed me was The God Engines, and that was quite atypical for him.

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